of the Top Ten Theater Events of 2005” by the SF Weekly, one
window is about the panic, as well as peace, that come with confinement.
With rhythmic power tool instruments, five performers build their
own confined structures, which become both portals to freedom, and
cages for the restless.
A work about existential crisis, dead bodies buried
within the Great Wall of China, the trash compactor from Star Wars
(the voices in your head when you realize the inevitability of walls
moving closer), and the desire to drop and become one with all 6,514,675,721
people alive on the planet.